Chapters 1 and 2- Nicole Leva

Filed under: Textual Support, Literary Criticism, Allusions, Figurative Language, Symbolism, Group A — hurston at 3:35 am on Monday, November 14, 2005

Chapter 1 begins with a comparison of men’s and women’s dreams.  Hurston wrote: “Ships at a distance have every man’s wish on board.  For some they come in with the tide.  For others they sail forever on the horizon, never out of sight, never leaving until the Watcher turns his eyes in resignation, his dreams mocked to death by Time.  That is the life of men” (Hurston 1).  Men’s dreams are always constant.  Throughout life men dream of the same things (”his dreams mocked to death by Time”), whether or not they come true (”come in with the tide”).  Unlike women who as Hurston wrote, “women forget all those things they don’t want to remember, and remember everything they don’t want to forget.  The dream is the truth.  Then they act and do things accordingly” (Hurston 1).  Women focus on what is pleasurable to think about.  Their dreams control their lives when men’s dreams are “at a distance.” 

I think this is a very interesting way for Hurston to begin the novel.  It seems to have a large symbolic meaning to the story, but as readers we do not know yet how this exactly applys. Hurston also hints in the next paragraph, the reason for Janie’s homecoming: “she had come back from burying the dead. …the sudden dead” (Hurston 1).  Although, in the first two chapters we do not know who died.  Could the first two paragraphs of the story allude to the thematic implications of the entire novel?

The second chapter is more revealing than the first.  We learn of Janie’s childhood and part of her Nanny’s life.  A main theme in this chapter is the references made to the pear tree.  Hurston wrote that as a child, Janie desires ”to be a pear tree– any tree in bloom!  With kissing bees singing of the beginning of the world!” (Hurston 11).  The pear tree is symbolic to Janie’s desire to expierence womanhood and adulthood: “she wanted to stuggle with life but it seemed to elude her”  (Hurston 11).  Literary critic Saunders states that “Janie envisions complete fulfillment;… she identifies not with another person, but with a part of nature. As a “tree” she will be in possession of great strength, awesome beauty, and communion with the natural world….” (Saunders).  Janie views a pear tree as strong, beautiful and a center structure of nature.  She wants to be a strong, powerful and beautiful woman.  Although, later in this chapter when Nanny tells her shes a woman Janie feels “the thought was too new and heavy… she fought it away” (Hurston 12).  It is interesting to see that now that Janie has what she wanted, she feels she is not ready.

Another interesting concept of the pear tree is it relates to the first two paragraphs in chapter 1.  Janie “had been spending every minute that she could steal from her chores under that tree” (Hurston 10).  To be like the pear tree was Janie’s dream and Janie acted and did things accordingly.  She tried to live in her dream. 

If the concept of women’s dreams applys to the pear tree and Janie, will other concepts of dreams apply to Janie’s life?  And if so, can we rely on what Janie says if “women forget all those things they don’t want to remember” (Hurston 1)?



6 Comments

14

   hurston

November 14, 2005 @ 4:47 pm

I think that the references to the difference between men’s dreams and women’s dreams is very interesting. In Nicole’s passage she quotes Hurston saying “the dream is the truth” (Hurston, 1). I wonder if this is a literal truth or a figurative truth? I would like to think that it is just a figurative truth. Dreams are not always literal. Dreams rarely depict actuality. More often than not they serve as an allusion to what did happen or what will happen, but they are never exact. I believe that Hurston decides to say that “the dream is the truth” as a setup. It is there to show us that there may not be any real ships and men, but the idea of a tide washing them in, or a stirring event sending in dreams, is a literal pssibility.

-Alana

18

   hurston

November 15, 2005 @ 7:22 pm

I think that a reference to the pear tree is a symbolic implication to Janie’s journey as a woman. She is about encounter a difficult journey, the transition from being a girl to becoming a woman. The tree starts up as just a stump, with branches but not pears. The tree is just a tree and has no really definition as to what it is. This is much like Janie. She does not know yet who she is or what purpose she serves in life. I think that she will blossom and become a decisive and powerful person in the person that she will eventually become.

~Leena~

81

   hurston

November 28, 2005 @ 12:33 am

I would like to expand on Alana’s views about the role of women and men’s dreams. Clearly they are very different, and the “truth” probably refers to the downright reality of the situation; as men or women people are raised to carry different beliefs and have very different dreams. They hold the same morals but apply themselves in their society just as they are taugh to, as men or women. I think this speaks to the women’s dreams being let go, as women are taught to do. They marry, have children, raise them, and take care of their household, and are taught by their mothers and teach their daughter so let go of bigger dreams, whereas men are taught to go after what they want. I think that it is interesting that something as non-solid as a dream can represent all the truths of the differences between men and women.
-Mary

186

   asd

April 21, 2006 @ 8:48 pm

i like sex, oh yes! i do

210

   Kimberley

April 25, 2006 @ 10:53 pm

The first two paragraphs of the novel are rich in meaning. I enjoyed reading the perspectives of others, and I would like to share mine as well.

I see the men’s dreams as distant. The men have little control of whether or not the dreams are achieved; they are instead “Watchers.” It’s up to the tide, Time, outside forces. The men play a passive role, simply watching to see if the dreams pan out. The men don’t seem to be affected positively by their dreams; the word “mocked” and the word “resignation” suggest the dreams aren’t easily captured and that they set men up for disappointment.

(I’m not completely clear on how this matches up with the male characters in the book though. Joe Starks does achieve his dream for the most part, but at the end of his life he feels powerless and disrespected. He actively seeks his dream, but he does end up weakened and old. Tea Cake is the exception to this, of course, because he is not the typical man Hurston seems to be describing. Anyone have any suggestions?)

The women described in this opening, however, play an active role, seizing control of their dreams and lives. Women make the choice to focus on what they wish to focus on in their lives. They take the truth, reality, and make their dreams from it. They “act and do” things according to what is attainable. They make their reality and their goals out of what they have, the truth. Rather than setting lofty dreams that must float at a distance, dreams they can only hope will float in to them, they are wise enough to focus on what they can realistically achieve. They travel through life, learning, choosing, acting, and doing.

I like to think Hurston wanted to show how strong and wise women are, especially at age 40 as Janie is. Janie has learned to take control of her life and make her own reality at this point in her life. She withstood forces working against her, and she came to assert herself and live the relationship she has always craved. I’m convinced that at the end of the novel when she finds herself in a new set of circumstances, she will again mold new dreams of her given truth and achieve them. What an admirable, respectable view of women Hurston proclaims.

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